Wednesday, June 4, 2025

10. 1901: OCTOBER

 

By

Samuel L. Leiter

For further background on Brooklyn’s theatre history please see my book, Brooklyn Takes the Stage: Nineteenth-Century Theater in the City of Churches (McFarland: 2024) and my blog, “Annals of the Brooklyn Stage.” The latter is a week by week description of theatre activity in Brooklyn; obviously, it will expand rather slowly because so much must be described.

1898

1899 

1900: SEPTEMBER-OCTOBER

1900: NOVEMBER-DECEMBER

1901: JANUARY-FEBRUARY

1901: MAY-AUGUST

1901: SEPTEMBER

1901: OCTOBER

1901: NOVEMBER

1901: DECEMBER

The big Brooklyn theatre news in the month was the opening, on October 14, of yet another vaudeville house, the Folly, pictured above. Located at the corner of Graham Avenue and Debevoise Street (near Broadway) in the Eastern District, it was owned by Richard Hyde of the long-successful Brooklyn vaudeville/variety entrepreneurs Hyde & Behman’s. Much was made of its being in strict compliance with all the new building laws, which meant a greater expense to get it built. Its stage was 36X80 feet, large enough for the most elaborate of sets. Its orchestra held 850 seats, its balcony 600, and its gallery nearly the same number. Those interested in more detail, including its decorative, artistic, lighting, plumbing, exterior, and fire safety features, can find it under “New Folly Theater Is to Be Opened October 14,” Brooklyn Eagle, October 6, 1901.

In 2025, remnants of its exterior seem to be incorporated in the façade of a T-Mobile store. It was intended as a “music hall,” and announced, as per Brooklyn Life, that it would be “variety and not vaudeville. As vaudeville is never in an American ‘vaudeville house,’ but variety,” wrote a reporter, “the distinction hardly distinguishes.” Seats were at popular prices, with the best going for $.50. It claimed to be the borough’s “handsomest” venue.

Regardless of the semantics of its theatrical goals, it took little time before they were altered, when Mr. Hyde leased the place to the Hyde & Behman corporation in preparation of revising its policy from vaudeville/variety to legitimate, while another Williamsburg enterprise run by the same company, the Gayety—primarily a legit house—flipped to vaudeville. The managers claimed this was their original intent in building the Folly as a place that could stage even Ben Hur. Its first straight play, if you could call it that, was the farce titled Mrs. B. O’Shaugnessy (Wash Lady), starring comic female impersonator George W. Monroe.

Also talked about this month was how the local high-priced theatres found musical comedy so profitable, having a monopoly on it in a town where so many theatres had gone over to stock companies, which were ill-equipped to compete in this field. People who preferred the “10, 20, 30 cent” ticket costs at these cheap houses made them more competitive when dramas were involved, since they could sit much closer than they when visiting the pricier theatres. However, the costs of doing musicals, from orchestras to choruses to elaborate sets and costumes to versatile singer-actor-dancers, made it impossible for the stock theatres to get traction in this field, where expenses ran from $3,000 or $4,000 on up a week. Thus, the Montauk and the Amphion monopolized such entertainments. Even so, Corse Payton’s company would occasionally venture to do a quasi-musical Charles Hoyt satire like A Contented Woman, or the mid-price range theatres—the so-called “dollar houses,” like the Gayety or Grand Opera House, would do a farce supported by musical entertainment. Still, any of the more expensive kinds of musical comedies were way out of their reach.

As to memorable stage events this month, we can point to the performance of Ethel Barrymore of the great Barrymore clan of actors making her a noteworthy star in Clyde Fitch’s Captain Jinks of the Horse Marines, which visited the Montauk. Other theatrical greats also appeared on local stages, among them the Four Cohans (George M.’s family, of course), Francis Wilson, and the leading Black entertainers of the day, Williams and Walker, but their vehicles were already familiar, while Ethel Barrymore’s was a “novelty” for Brooklynites.

1.      September 30-October 5, 1901

Bijou: Sons of Ham, with Bert Williams, George Walker

Brooklyn Academy of Music: Humpty Dumpty and the Black Dwarf

Columbia: (Greenwall Stock Company) Fanchon, the Cricket

Criterion: (Baker Stock Company) Captain Swift

Gayety: The Dairy Farm

Gotham: (Gotham Stock Company) Wife for Wife

Grand Opera House: The Girl from Maxim’s

Montauk: The Brixton Burglary

Park: (Spooner Stock Company) The Butterflies

Payton’s: (Payton Theatre Company) The Banker’s Daughter

Vaudeville and burlesque: Hyde & Behman’s, Novelty, Star, Orpheum, Theatre Unique

2.      October 7-12, 1901

 

Amphion: The Strollers, with Francis Wilson

Bijou: Lost in the Desert

Columbia: (Greenwall Stock Company) Northern Lights

Criterion (Baker Stock Company) What Happened to Jones

Gayety: Two Little Vagrants

Grand Opera House: The Governor’s Son, with the Four Cohans

Gotham: Lynwood

Montauk: Captain Jinks of the Horse Marines, with Ethel Barrymore

Park: (Spooner Stock Company) Madame Sans Gene

Payton’s: (Payton Theatre Company) Peaceful Valley

Phillips’ Lyceum: (Lyceum Stock Company) Hoodman Blind

Vaudeville and burlesque: Hyde & Behman’s, Novelty, Star, Orpheum, Theatre Unique

3.      October 14-19, 1901

Amphion: The Christian

Bijou: In Australia

Columbia: (Greenwall Stock Company) Siberia

Criterion: (Baker Stock Company) Nell Gwynne

Gayety: Happy Hooligan

Grand Opera House: The Heart of Maryland, with Amelia Bingham Company

Gotham: (Gotham Stock Company) East Lynne

Montauk: The King’s Carnival

Park: (Spooner Stock Company) The Jilt

Payton’s: (Payton Theatre Company) Darkest Russia

Phillips’s Lyceum: (Lyceum Stock Company) The Moonshiners

Vaudeville and burlesque: Hyde & Behman’s, Novelty, Star, Theatre Unique, Folly (opens for vaudeville)

4.      October 21-26, 1901

 

Amphion: The Brixton Burglary

Bijou: Happy Hooligan

Columbia: (Greenwall Stock Company) La Tosca

Criterion: (Baker Stock Company) Because I Love You, “Betsy”

Gayety: The Heart of Maryland, with Helene Wintner

Grand Opera House: Winchester

Gotham: (Gotham Stock Company) The Octoroon

Montauk: The Rogers Brothers in Washington, with the Rogers Brothers

Park: (Spooner Stock Company) On the Wabash

Payton’s: (Payton Theatre Company) A Contented Woman

Phillips’ Lyceum: (Lyceum Stock Company) The Strategists

Vaudeville and burlesque: Hyde & Behman’s, Star, Novelty, Orpheum, Unique, Folly

5.      October 28-November 2, 1901

Amphion: Up York State, with David Higgins

Bijou: Home Sweet Home

Columbia: (Greenwall Stock Company) My Partner

Criterion: (Baker Stock Company) Dr. Bill

Gayety: Sons of Ham, with Bert Williams, George Walker

Grand Opera House: Mrs. B. O’Shaugnessy (Wash Lady), with George W. Monroe

Gotham: (Gotham Stock Company) Ten Nights in a Barroom

Montauk: The Climbers, with Amelia Bingham Company

Park: (Spooner Stock Company) The Adventures of Lady Ursula

Payton’s: (Payton Theatre Company) Held by the Enemy

Phillips’ Lyceum: (Lyceum Stock Company) Passion’s Slave

Vaudeville and burlesque: Hyde & Behman’s, Star, Novelty, Orpheum, Folly

 

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