By
Samuel L. Leiter
For further background on Brooklyn’s
theatre history please see my book, Brooklyn Takes the Stage: Nineteenth-Century Theater in
the City of Churches (McFarland: 2024) and my blog, “Annals of the Brooklyn Stage.” The
latter is a week by week description of theatre activity in Brooklyn;
obviously, it will expand rather slowly because so much must be described.
For previous entries, click on:
1900:
September through October
NOTE: because of technical issues related to the many
images used, these entries will be limited to two months each.
The last two months of 1900 were very busy times for
Brooklyn’s theatres, which showed considerable activity. For many weeks as many
as six nonlegits offered vaudeville and/or burlesque, with additional shows of
this nature, including minstrelsy, occasionally filling legit theatres. The
numbers of such theatres fluctuated, though; the Park came back to life as a stock
theatre under the aegis of the Baker Stock Company, while the former Criterion,
lately run as a vaudeville enterprise called Al Reeves’ Music Hall, went bust. It was swiftly turned over to a group called the Schiller Stock Company, which, as the
chronology shows, was barely alive before it was dead. But stock was doing well
at Corse Payton’s Theatre, the old Lee Avenue Academy of Music, and the new stock
group at the Park showed promise of surviving.
Leading players, including super stage stars, continued to
visit, with names like Grace George and Blanche Walsh, both from Brooklyn, lighting
up the borough’s playhouses, not to mention the great Richard Mansfield in his
lavish production of Henry V, some of whose costumes are shown below. Among
others whose names were more important than their vehicles were William Faversham,
Margaret Anglin (before she was a grand lady of the stage), Mrs. Leslie Carter,
Chauncey Olcott, champion pugilists James H. Jeffries and Bob Fitzsimmons (both
having become theatrical draws), Herbert Kelcey and Effie Shannon, James K.
Hackett, Anna Held, and Joseph Jefferson. E.H. Sothern was booked to do his new
Hamlet but, sadly, became ill and had to cancel.
Many shows continued to return over and over, like The
Village Postman, and Shore Acres, so the chronicle is forced to lean
heavily on familiar goods, with fewer important new plays on the road than was
healthy for a business that loves novelty. The fascination of the era for plays
set in the Far East—so evident in the popularity of The Mikado—continued,
as represented by the Chinese-based musical San Toy and David Belasco’s
dramatization of Madame Butterfly, before Puccini got his operatic hands
on it.
Finally, just before 1900 ended, a luxurious new vaudeville theatre, the Orpheum, opened, a few steps from where the Majestic--later the BAM Harvey--would soon be built. See the next entry, 1901: January-February, for illustrations.
1.
November 5-10, 1900
Amphion: The Only Way, with Creston Clarke, Adelaide
Prince
Bijou: Siberia
Columbia: Brother Officers, with William Faversham,
Margaret Anglin
Gayety: The Behman Show (vaudeville)
Grand Opera House: The Sign of the Cross, with
Charles Dalton
Montauk: More than Queen, with Blanche Walsh (replacing
E.H. Sothern in Hamlet because of the star’s illness)
Payton’s: (stock) My Kentucky Home
Vaudeville and Burlesque: Hyde & Behman’s, Al Reeves’ Music
Hall, Brooklyn Music Hall, Empire, Star, Novelty
2.
November
12-17, 1900
Amphion: The
Old Homestead, with Denman Thompson
Bijou: Sporting
Life
Columbia: The
Belle of Bohemia, with Sam and Dick Bernard
Gayety: Le
Voyage en Suisse
Grand
Opera House: Kerry Gow, Shaun Rhue, with Joseph Murphy
Montauk: Zaza,
with Mrs. Leslie Carter
Payton’s:
(stock)Diplomacy
Vaudeville
and Burlesque: Hyde & Behman’s, Al Reeves’ Music Hall, Brooklyn Music Hall,
Empire, Star, Novelty
3.
November
19-24, 1900
Amphion: Naughty
Anthony, Madame Butterfly
Bijou: Mavourneen,
with Chauncey Olcott
Columbia: Rip
Van Winkle, Lend Me Five Shillings, The Rivals, The
Cricket on the Hearth, with Joseph Jefferson III
Gayety: The
Village Postmaster, with Archie Boyd
Grand
Opera House: The Man of the West, with John J. Jeffries
Montauk: The
Ambassador, The Maneuvers of Jane, Daniel Frohman’s Stock Company
Payton’s:
(stock)The Charity Ball
Vaudeville
and burlesque: Hyde & Behman’s, Al Reeves’ Music Hall. Brooklyn Music Hall,
Star, Novelty
4.
November
26-December 1, 1900
Amphion: Hearts
Are Trumps
Bijou: Mavourneen,
with Chauncey Olcott
Brooklyn
Academy of Music: Uncle Tom’s Cabin
Columbia: Henry
V, with Richard Mansfield
Gayety: Kerry
Gow, Shaun Rhue, with Joseph Murphy
Grand
Opera House: The Village Postmaster, with Archie Boyd
Montauk: Central
Park, with the Rogers Brothers
Payton’s:
(stock)Midnight Follies
Vaudeville
and burlesque: Hyde & Behman’s, Al Reeves’s Music Hall, Brooklyn Music
Hall, Empire, Star, Novelty
5.
December
3-8, 19
Amphion: The
Parish Priest, with Daniel Sully
Bijou: A
Hot Old Time, with Johnny and Emma Ray
Brooklyn
Garrick: (stock) A Soldier of the Empire, with the Schiller Stock Company
(this was the renamed Al Reeves’ Music Hall, originally the Criterion, at
Fulton and Grand, returning to legitimate theatre)
Columbia: The
Cadet Girl, with Dan Daly
Gayety: Woman
and Wine
Grand
Opera House: Hearts of Oak
Montauk: San
Toy, with Augustin Daly Musical Company, James T. Powers
Payton’s:
(stock)Young Mrs. Winthrop
Vaudeville
and burlesque: Hyde & Behman’s, Brooklyn Music Hall, Empire, Star, Novelty
6.
December
10-15, 1900
Amphion: The
Cadet Girl, with Dan Daly
Bijou: Superba
Brooklyn Garrick:
(stock) We ‘Uns of Tennessee
Columbia: My
Lady Dainty, with Herbert Kelcey, Effie Shannon
Gayety: King
of the Opium Ring
Grand
Opera House: Woman and Wine
Montauk: The
Pride of Jennico, with James K. Hackett
Payton’s: (stock)
Quo Vadis
Vaudeville
and burlesque: Hyde & Behman’s, Brooklyn Music Hall, Empire, Star, Novelty
7.
December
17-22, 1900
Amphion: Our
New Minister
Bijou: The
Honest Blacksmith, with Robert Fitzsimmons
Brooklyn Garrick:
(stock) The Fatal Wedding scheduled, but theatre goes out of business
first after two weeks
Columbia: Her
Majesty, with Grace George
Gayety: Hearts
of Oak
Grand Opera
House: The Parish Priest, with Daniel Sully
Montauk: Sag
Harbor, with James A. Herne
Payton’s: (stock)
Don’t Tell My Wife
Vaudeville
and burlesque: Hyde & Behman’s, Brooklyn Music Hall, Empire, Star, Novelty
8.
December
24-29, 1900
Amphion: Sag
Harbor, with James A. Herne
Bijou: In
Wall Street, with Kelly and Mason
Brooklyn
Academy of Music: George Thatcher’s Minstrel Company
Columbia: Hodge,
Podge and Co., with Peter F. Dailey
Gayety: The
Rebel, with Andrew Mack
Grand Opera
House: The Floor Walkers, with Ward and Vokes
Montauk: Papa’s
Wife, with Anna Held
Park:
(stock) Hoodman Blind (Baker Stock Company begins occupancy at Park)
Payton’s:
(stock) Taken from Life
Vaudeville
and burlesque: Hyde & Behman’s, Brooklyn Music Hall, Empire, Star, Novelty
9.
December
31-January 5, 1901, in next entry
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